The linear frame stands out for its generous sections and for the way it connects to the backrest: the leg, running in a perfectly straight line, meets and almost collides with the shell as if it intended to pierce it, without actually doing so. It is as if the leg disappears into the backrest itself
In the shell we instead find very soft and comfortable forms The absence of sharp edges, replaced by generous radii and the curvature of the backrest, comfortably embraces those who sit on Finn
The overall reference of the collection is distinctly Nordic, both in the linearity of the forms and the refinement of the details, and in the balance of volumes that emerge into one another as a combination of elements that always retain a strong identity and a clearly defined role.
